“Am afraid of chemotherapy, even more than cancer!” says one of the cancer patients in Polish filmmaker Pawel Lozinsk’s film Chemo. Two films in DOX BOX 2011’s film selection, Chemo and Albert’s Winter, revolve around the same theme: cancer. However each looks at it from a different perspective. In Chemo, Lozinsk takes us in a tour in the chemotherapy ward of an oncology clinic. Yet, we never get to see the place itself. Instead, his camera zooms in on the patients as they chat about chemotherapy with the ease of a couple who are discussing the rising prices in a souk. “When you get cancer, you must love it like an unwanted child,” a patient tells her roommate. Together, they joke about cancer, complain to each other and sometimes break into tears.
At some point Lozinsk’s excessive use of close ups becomes suffocating. The window shots that he takes every now and then only serve to further emphasize the sense of being trapped. He only uses a wide shot when patients leave the ward at the end of the film. Ah… what a relief!
In Albert’s Winter, on the other hand, Danish filmmaker Andreas Koefoed observes cancer through the eyes of eight year-old Albert whose mother is undergoing chemotherapy treatment. The beautifully shot film is relaxed and tender. The filmmaker takes a step back and observes Albert just like the little kid is observing his mother’s illness. Koefoed beautifully reflects the child’s inner sense of insecurity, sadness and struggle to accept his mother’s illness through the snow scenes. A deeply touching film.
This review was published in Point of View, DOX BOX documentary film festival’s gazette.